Buy four shows and save. (Don’t worry, ticket exchanges are free.)
Subscriptions must comprise an equal number tickets to each show. Prices subject to change after July 24.
The Hours and Times
Directed by Christopher Munch
(1991) 60min, HDCAM
Projecting pop-cultural history through a queer lens, Munch’s (The Sleepy Time Gal) debut imagines the goings-on between John Lennon and the Beatles’ gay manager Brian Epstein during their real-life 1963 Barcelona holiday just before Beatlemania exploded. Whiling away the days in their hotel room, the pair engage in a subtle verbal tango about Epstein’s homosexuality, Lennon’s marriage, and their intense and unlikely friendship. Shot in high-contrast black and white that recalls A Hard Day’s Night, the film hit Sundance—and won the Special Jury Prize—at the flashpoint of New Queer Cinema amid a crop that included Edward II, The Living End, and Swoon.
Directed by Cecilia Dougherty
(1989) 39min, BetaSP
This largely improvised piece of LGBT pop-cultural appropriation, which makes frequent references to Yoko Ono’s Grapefruit anthology, features an all-female cast in mod-drag acting out the circumstances of John and Yoko’s relationship and the petty squabbles that brought the Fab Four to ruin.