Film

The Story of Film: Episodes 9 & 10

 
 
Wed, Aug 29, 2012
  • 4:30PM
  • 7PM
  • 9:30PM
 
LOCATION:
BAM Rose Cinemas
 
RUN TIME: 120min
RATED: NR
FORMAT: digital
GENERAL ADMISSION: $12
CINEMA CLUB MEMBERS: $7
STUDENTS/SENIORS:  Students: $9 (Students 29 and under with a valid ID, Mon—Thu)
 
 
 
 
 
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Wednesday August 29, 2012
Performances no longer available.
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Directed by Mark Cousins

With Abbas Kiarostami, Claire Denis, Jane Campion, Wim Wenders

Brimming with movie lore and more than 1,000 brilliantly juxtaposed clips, this 15-hour distillation of 115 years of cinema could only have been made by a cinephile as voracious as critic Mark Cousins, whose 2004 book of the same name won praise for its global and personal perspective on film history. This idiosyncratic valentine to the quintessential 20th-century art form champions both the glories of classic Hollywood and the lesser-known corners of the film universe, throwing the spotlight on some of Cousins’ favorite unsung auteurs and drawing surprising connections among far-flung film communities. Featuring interviews with a who’s who of contemporary masters (including Abbas Kiarostami, Wim Wenders, and Claire Denis), The Story of Film  examines the nuts and bolts of film poetics while also maintaining a deep appreciation for the medium’s abiding mysteries.

Episode 9

This is the remarkable story of the maturing of American cinema of the late 60s and 70s. Buck Henry, who wrote The Graduate, talks about movie satire of the time. Paul Schrader in New York reveals his thoughts on his existential screenplay for Taxi Driver. Writer Robert Towne explores the dark ideas in Chinatown, and director Charles Burnett talks about the birth of Black American cinema.

Episode 10

This is the story of the movies that tried to change the world in the 70s. We start in Germany with Wim Wenders, head to Britain in the 70s and talk exclusively to Ken Loach, travel to Italy, see the birth of new Australian cinema, and then arrive in Japan, which was making the most moving films in the world. Even bigger, bolder questions about film were being asked in Africa and South America, and the story ends with John Lennon’s favorite film, the extraordinary, psychedelic The Holy Mountain.