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A rugged, flannel-outfitted gardener (Hudson) strikes up a romance with a significantly older widow (Wyman, imprisoned in her TV by Sirk’s brilliant mise-en-scène) to the clucking disapproval of her children and friends. Sirk transforms a would-be conventional soap into a “scathing attack on all those facets of the American Dream widely held dear… Beneath the stunningly lovely visuals lies a kernel of terrifying despair” (Time Out London).