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Shot in grainy, expressive black and white, Balabanov’s striking narrative debut is a freewheeling, disorienting head-trip adaptation of Samuel Beckett’s absurdist stage work. Just released from the hospital where he received a mysterious brain operation, an unidentified man (Sukhorukov) roams the streets of St. Petersburg in search of a place to stay, encountering a panoply of hostile weirdos and bizarre situations along the way.