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With both the cops and a gang of thugs on his tail, a tuxedoed thief (Lambert) goes into hiding in the tunnels of the Paris Métro. There, he encounters a host of eccentric societal cast-offs, forms a pop band with them, and falls in with gangster’s moll Adjani (who finds occasion to sport an impressive mohawk). Complete with a grimy subway tunnel chase on roller skates, action auteur Besson’s slick, sleazy punk-rock joyride—which Dave Kehr called “Miami Vice with subtitles”—is 80s-chic at its finest.