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Ablaze in almost avant-garde Technicolor, Sirk’s most formally radical film is a scalding anti-family values critique of the American middle class. The bratty scions (Stack and Malone, whose infamous bedroom rumba of death is a veritable aria of pent-up erotic energy) of a prominent Texas oil family lash out through excessive drinking and uncontrollable sexual deviance—resulting in a tragedy of nigh-operatic proportions.