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Parisian maid Célestine’s (Moreau) new job at the oddball Montreil family’s country estate comes with some unexpected duties, as she finds herself contending with a coterie of foot fetishists, fascists, and, maybe, a murderer. The first of the director’s celebrated collaborations with screenwriter Jean-Claude Carrière, Buñuel sets this sardonic upstairs/downstairs satire in the 1930s, and its increasingly jaundiced tone comes to reflect the period’s mounting political unrest, with disquieting shades of Nazi horrors to come.