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Arthouse titan Resnais’ first film in English was this mesmerizing inquiry into memory and reality. A dying writer (Gielgud) hallucinates scenes from a poison-pen last novel, its characters based on his family (including Burstyn). On the surface a sparkling comedy, Providence is transformed by Resnais into a haunting journey into the unconscious, with surreal slips into dream logic, characters whose identities morph and merge, and a swooning Miklós Rózsa score.