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Buñuel's second English-language film is a scorching tale of sex and sin that charts the simmering tensions that arise when a black jazz musician (Hamilton), fleeing a false rape charge, shows up on an untamed South Carolina island inhabited by a racist gamekeeper (Scott) and the 13-year-old girl (Meersman) he lusts after. Howlingly defiant in its condemnation of bigotry and moral hypocrisy, this neglected masterpiece is “full of poetic asides…revealing Buñuel's dark, philosophical wit at its most personal” (Jonathan Rosenbaum, Chicago Reader).