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Everywhere All The Time
NY PREMIERE
Everywhere All the Time
Oct 24—Oct 27, 2018
 
Dance | Music

Seán Curran Company and Third Coast Percussion

 

From his roots in Irish step dance to a four-year run as an original member of STOMP, Seán Curran comes alive to the beat of a drum. In celebration of their 20th anniversary, the choreographer and his company collaborate with Grammy Award-winning, Chicago-based ensemble Third Coast Percussion for a landmark evening of new and classic work inspired by the primordial nature of percussion.

First, Curran reimagines his hallmark 2000 piece Abstract Concrete, a spirited study of pairing and partnership set to a loose, kinetic rhythm. Then, the company presents the New York premiere of Everywhere All the Time, set to celebrated composer Donnacha Dennehy’s Surface Tension, a “magnificently energetic” (The New York Times) percussion piece inspired by the Irish bodhran drum, with set design by the late landscape architect Diana Balmori.

 

Abstract Concrete
Music by Third Coast Percussion and David Skidmore

Everywhere All the Time
Music by Donnacha Dennehy
Costume design by Liz Prince

Choreography and direction by Seán Curran
Set design by Diana Balmori
Lighting design by Robert Wierzel
Visual design by Mark Randall

Commissioned by BAM and the University of Alabama at Birmingham’s Alys Stephens Performing Arts Center

 
ON SALE DATES
SUBSCRIPTIONS ON SALE
Tue Jun 12
BAM Members
 
Tue Jun 19
General Public
 
 
SINGLE TICKETS ON SALE
Tue Jun 12
BAM Patrons
 
Thu Aug 02
BAM Members
 
Thu Aug 09
General Public
 
 
RUN TIME
1hr 30min
VENUE
TICKET INFO
TICKETS START AT  $25
Buy 4 or more events and save 15—30%
 
ACCESSIBILITY
Balcony seating is only accessible by 70 stairs.
Leadership support for dance at the BAM Harvey and the BAM Fisher provided by:
doris duke charitable foundation
Leadership support for dance at BAM provided by:
The Harkness Foundation for Dance
“...there has always been so much life in his movement, which he has transferred expertly to his company and which he still manifests fully.”
— THE NEW YORKER
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