Film
Cop Land
- 7PM
Sure, it’s fun to see Sylvestor Stalone looking soft and puppy eyed, upstaging everyone in this star turn as a disabled local sheriff whose New Jersey town has become a mecca for corrupt New York City cops. But Cop Land is also a remarkable watch for what it has to say about movie “copaganda” in the 90s. Police are bad, but also police are good. Anti-Black police violence is real, yet stereotypes of Black criminality abound, unchecked, throughout the film. Come for the pre-Sopranos celebrity cameos, stay for the reformist take on the police thriller—one that produces as many new contradictions as it tries to resolve.
Leadership support for BAM Access Programs provided by the Jerome L. Greene Foundation.
Leadership support for BAM Film provided by the Ford Foundation and The Thompson Family Foundation
Go to the movies just once a month and a BAM membership pays for itself.

From a radical courtroom in Queens to a dreamlike short set in 19th century New York, these films offer nuanced, compassionate portraits of those involved in sex work.

A public affairs program from William Greaves and a 1966 police training video grapple with police reform, highlighting the struggle faced by Black officers and the difficulty in shifting mindsets.

A look at the art, artists, community, and culture behind Spike Lee’s classic, in which racial tensions run high in Bed-Stuy, paired with a 16mm snapshot of a youth event in the same neighborhood.