
In conjunction with The Baffler‘s new issue “Global Texas,” BAM presents a quartet of films interrogating the forbidding terrain and complex history of America’s biggest (and perhaps most American) state. The series kicks off with a rare 35mm presentation of Saba, Texas-born Tommy Lee Jones’ directorial debut The Three Burials of Melquiades Estrada (2006), an unsparing interrogation of border violence and 21st century Manifest Destiny. Martin Ritt’s elegiac masterpiece Hud (1963) starring Paul Newman digs into changing generational attitudes towards agriculture, the ranching industry, and how to conduct business. John Sayles’ indie hit Lone Star (1996) invites viewers to “forget the Alamo” in a sordid tale of corruption and historical amnesia. And the late leftist maverick Robert M. Young’s turn-of-the-century thriller The Ballad of Gregorio Cortez (1982) expands an old folk song (or corrido) about the struggle of a Mexican-American farmer (Edward James Olmos) to clear his name after he’s wrongfully accused of the death of a sheriff's brother.
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Leadership support for
BAM Access Programs provided by
the Jerome L. Greene Foundation
Leadership support for
BAM programming provided by:
Leadership support for
BAM Film provided by
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the Lepercq Cinema is provided by
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FilmThe Three Burials of Melquiades Estrada
Tue, Jun 30, 2026
The Three Burials of Melquiades Estrada
Tue, Jun 30, 2026Jones’ directorial debut—both a taut cowboy thriller and pained reflection on the American death cult—follows the aftermath of a Mexican immigrant’s death at the hands of a psychotic Border Patrol officer. -
FilmHud
Tue, Jun 30, 2026
Hud
Tue, Jun 30, 2026Ritt’s baroque western follows Hud (Paul Newman), a sneering, beer-chugging cattleman who is utterly impossible to take your eyes off of, and the intergenerational struggle with his principled father (Melvyn Douglas). -
FilmLone Star
Wed, Jul 8, 2026
Lone Star
Wed, Jul 8, 2026Maybe the most celebrated film of John Sayles’ career, this sprawling murder mystery (anchored by a killer ensemble cast) disentangles Texas mythology with shrewd attention to the shifting mores of the contemporary West.


