Shu Lea Cheang probes the commodification of pleasure in the tale of a robot programmed to accumulate sexual experience for a corporation, in an explicit cyberpunk fantasy set to techno grooves.
UKI
In a sequel to the provocative 2000 cyberpunk fantasy I.K.U., Shu Lea Cheang merges live action with animation generated with gaming software in UKI, which finds the now-defunct replicant Reiko abandoned in Etrashville, a giant dumping ground for technological waste. Meanwhile, a besieged diner serves as a meeting place for humans infected with red blood cells re-engineered by GENOM Co.—and for time-traversing hackers working to uncover the company’s schemes. A parable of resilience and rebirth, UKI demonstrates the continued vitality of Cheang’s forward-thinking, boundary-pushing vision.
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